Academic Journal_ASIFA-CHINA国际动画协会中国分会

ASIFA Academic Magazine 2024/VOL.1/#1

CASE STUDY

Behind-the-Scenes of Oscar-Norminated Short Animation LETTER TO A PIG

ACADEMIC RESEARCH ON ANIMATION

Becoming and Being in Animation——How Can Animation Discuss Philosophical Ideas on Becoming and Time?

Cross-Industry Collaboration between Idol Groups and Animation IPs: A Case Study of the Collaboration between NewJeans and "The Powerpuff Girls"

Beyond Genre and Technique: Animated Cinema is an Autonomous Language

Research on the Business Model of Chinese Preschool Animation Brands

ANIMATOR INTERVIEW

Interview with Mehrdad Sheikhan

ASIFA PRIZE

Kihachiro Kawamoto——ASIFA Prize Winner in 1985

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2024/VOL.2/#1 INDEX

INVITED MANUSCRIPT

Animated Poetry in Afrikaans: Genre Defining the Animation Production of a Culture

TYPE RESEARCH

The Evolution of Dragon Characters in Chinese Animation

Beyond Precision—The Enchanting World of Fuzzy Paper-Cut Animation

Research on the Cultural Traceability and Development of Japanese Yuri Animation

from the Perspective of Feminism

The "Hyperreal" Imagination of Live Action and Fairy Tales: A Study of Disney's "Fairy Tale-Live Action" Adaptations

STUDY ON PAN-ENTERTAINMENT ON MOBILE TERMINALS

Can Short Video Platforms be Considered Suitable for Animations

Research on Animation Technology to Enhance the Flow Experience of Online Script Murder Users

The Application and Reflection of AR Makeup Special Effects from the Perspective of Dramaturgical Theory

AI GENERATED CONTENT

Junctional Lens: Research on Animation Creation in the Age of AIGC

An Investigation into the Effects of AIGC on Animation Creation: Voice of the Professionals

MULTIPLE PERSPECTIVES

The Innovation and Upgrading of the Animation Industry Model in the Era of "Pan-Animation"

A Study on the Creation of Stop-Motion Animation for Public Service Announcements Based on Visual Grammar Theory—Taking His Night as an Example

On the Filling of the "Blank Space" between Yao-Chinese Folktales and the Subject from the Perspective of Reception Aesthetics

The Chouxiang Culture on the Internet

NEW TECHNOLOGY & NEW MEDIA

Co-Present and Embodied Place Identity in Virtual Space: a Research on Spatial Design Strategies of New Media Images

Virtual Reality Narrative Research through Virtual Reconstruction of Boat-Shaped Houses of Hainan’s ICH

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2023/VOL.1/#1 INDEX

INVITED MANUSCRIPT
What is Backstage Illusion?

HISTORY OF ANIMATION
Good Soldier Schweik in Civil Suit——Reflections of the Middle European Tradition of Humor in the Animated Films of the Zagreb School
Meishu Pian: Animation Practice Influenced by the Concept of Chinese Realistic Film Creation
Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object

ANIMATION CREATION
Expression of Cultural Symbols in the Design of Animation Characters and Animation Scenes——Taking the Animation Series Legend of Chinese Medicine as an Example
Three Early Experiments in Multicursal Storytelling in Animated Film
The Expression of “Puppet’s Characteristics” in Quanzhou Marionette Show from the Perspective of Animation

SCIENTIFIC RESEARCH METHOD
The Audience Context of SAFS in the New Media Age: a Case Study based on Co-word Analysis
Research on Narrative Mode Based on Information Visualization Design

MULTIPLE PERSPECTIVES
Expanded Animation Boundary：The Study of Cultural Memory & Ethnography Writing in Animated Films
A Study of the Metaphorical Nature of Children's Animation from the Perspective of Media Context Theory

NEW TECHNOLOGY & NEW MEDIA
Metaverse - New Ecology of Future Art Development
From Source Text to Creative Production: Technological and Narrative Approachesto Shakespeare Adaptation for Expanded Animation (VR)
Diffusion Model Applications in Rock Paper Scissors: an Impact Analysis of Traditional 2D Animation Pipelines
Study on the Inspiration of the Webtoon Storyboard to Vertical Screen Animation Creation

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Instructions for Authors!

1.Only animation-related papers could be accepted. Expected themes include ontology of animation, applications of animation, animation history, animation creation, animation technology, etc. Please note the themes for each volume might be altered.
2.Only papers written in English are expected.
3.The content should be comprehensive, logical with innovative viewpoints and accurate citations. The title, abstract, keywords, and main text are required.
4.Authors must ensure the independence of the copyright of the paper submitted, no plagiarism or other academic misconduct, and no dispute over the list of authors.
5.The paper should be written on the paper template provided in the length of 4000-6000 English words.
6.Feedbacks will be given in 15 workdays upon receiving the papers. Peer-reviewers are all animation professionals.
7.For paper submission, please contact contact@asifa.cn or works@asifa.cn.

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