ASIFA-CHINA

国际动画协会中国分会

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  • Academic Journal
  • Invited Manuscript
  • Interview
  • 2023/VOL.1/#1 INDEX
    INVITED MANUSCRIPT
    What is Backstage Illusion?
                                           
    HISTORY OF ANIMATION
    Good Soldier Schweik in Civil Suit——Reflections of the Middle European Tradition of Humor in the Animated Films of the Zagreb School
    Meishu Pian: Animation Practice Influenced by the Concept of Chinese Realistic Film Creation
    Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object                                        

    ANIMATION CREATION
    Expression of Cultural Symbols in the Design of Animation Characters and Animation Scenes——Taking the Animation Series Legend of Chinese Medicine as an Example       
    Three Early Experiments in Multicursal Storytelling in Animated Film
    The Expression of “Puppet’s Characteristics” in Quanzhou Marionette Show from the Perspective of Animation
                                               
    SCIENTIFIC RESEARCH METHOD
    The Audience Context of SAFS in the New Media Age: a Case Study based on Co-word Analysis
    Research on Narrative Mode Based on Information Visualization Design

    MULTIPLE PERSPECTIVES
    Expanded Animation Boundary:The Study of Cultural Memory & Ethnography Writing in Animated Films                                                  
    A Study of the Metaphorical Nature of Children's Animation from the Perspective of Media Context Theory
                                                     
    NEW TECHNOLOGY & NEW MEDIA
    Metaverse - New Ecology of Future Art Development
    From Source Text to Creative Production: Technological and Narrative Approachesto Shakespeare Adaptation for Expanded Animation (VR)                     
    Diffusion Model Applications in Rock Paper Scissors: an Impact Analysis of Traditional 2D Animation Pipelines                                       
    Study on the Inspiration of the Webtoon Storyboard to Vertical Screen Animation Creation                                                             
  • 2024/VOL.2/#1 INDEX
    INVITED MANUSCRIPT
    What is Backstage Illusion?
                                                       
    HISTORY OF ANIMATION
    Good Soldier Schweik in Civil Suit——Reflections of the Middle European
    Tradition of Humor in the Animated Films of the Zagreb School
                                                                                                 
    Meishu Pian: Animation Practice Influenced by the Concept of Chinese
    Realistic Film Creation
                                                               
    Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object 

  • Instructions for Authors!
    1.Only animation-related papers could be accepted. Expected themes include ontology of animation, applications of animation, animation history, animation creation, animation technology, etc. Please note the themes for each volume might be altered.
    2.Only papers written in English are expected.
    3.The content should be comprehensive, logical with innovative viewpoints and accurate citations. The title, abstract, keywords, and main text are required.
    4.Authors must ensure the independence of the copyright of the paper submitted, no plagiarism or other academic misconduct, and no dispute over the list of authors.
    5.The paper should be written on the paper template provided in the length of 4000-6000 English words.
    6.Feedbacks will be given in 15 workdays upon receiving the papers. Peer-reviewers are all animation professionals.
    7.For paper submission, please contact contact@asifa.cn or works@asifa.cn.
    ASIFA-CHINA国际动画协会中国分会 Contact No.:010-62662716