2023/VOL.1/#1 INDEX
INVITED MANUSCRIPT
What is Backstage Illusion?
HISTORY OF ANIMATION
Good Soldier Schweik in Civil Suit——Reflections of the Middle European Tradition of Humor in the Animated Films of the Zagreb School
Meishu Pian: Animation Practice Influenced by the Concept of Chinese Realistic Film Creation
Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object
ANIMATION CREATION
Expression of Cultural Symbols in the Design of Animation Characters and Animation Scenes——Taking the Animation Series Legend of Chinese Medicine as an Example
Three Early Experiments in Multicursal Storytelling in Animated Film
The Expression of “Puppet’s Characteristics” in Quanzhou Marionette Show from the Perspective of Animation
SCIENTIFIC RESEARCH METHOD
The Audience Context of SAFS in the New Media Age: a Case Study based on Co-word Analysis
Research on Narrative Mode Based on Information Visualization Design
MULTIPLE PERSPECTIVES
Expanded Animation Boundary：The Study of Cultural Memory & Ethnography Writing in Animated Films
A Study of the Metaphorical Nature of Children's Animation from the Perspective of Media Context Theory
NEW TECHNOLOGY & NEW MEDIA
Metaverse - New Ecology of Future Art Development
From Source Text to Creative Production: Technological and Narrative Approachesto Shakespeare Adaptation for Expanded Animation (VR)
Diffusion Model Applications in Rock Paper Scissors: an Impact Analysis of Traditional 2D Animation Pipelines
Study on the Inspiration of the Webtoon Storyboard to Vertical Screen Animation Creation
What is Backstage Illusion?
HISTORY OF ANIMATION
Good Soldier Schweik in Civil Suit——Reflections of the Middle European Tradition of Humor in the Animated Films of the Zagreb School
Meishu Pian: Animation Practice Influenced by the Concept of Chinese Realistic Film Creation
Transformation of Creative Paths in Chinese Mythological Animation under the Theory of Defamiliarization——Taking Animated Films with Mythological Themes after 2015 as the Research Object
ANIMATION CREATION
Expression of Cultural Symbols in the Design of Animation Characters and Animation Scenes——Taking the Animation Series Legend of Chinese Medicine as an Example
Three Early Experiments in Multicursal Storytelling in Animated Film
The Expression of “Puppet’s Characteristics” in Quanzhou Marionette Show from the Perspective of Animation
SCIENTIFIC RESEARCH METHOD
The Audience Context of SAFS in the New Media Age: a Case Study based on Co-word Analysis
Research on Narrative Mode Based on Information Visualization Design
MULTIPLE PERSPECTIVES
Expanded Animation Boundary：The Study of Cultural Memory & Ethnography Writing in Animated Films
A Study of the Metaphorical Nature of Children's Animation from the Perspective of Media Context Theory
NEW TECHNOLOGY & NEW MEDIA
Metaverse - New Ecology of Future Art Development
From Source Text to Creative Production: Technological and Narrative Approachesto Shakespeare Adaptation for Expanded Animation (VR)
Diffusion Model Applications in Rock Paper Scissors: an Impact Analysis of Traditional 2D Animation Pipelines
Study on the Inspiration of the Webtoon Storyboard to Vertical Screen Animation Creation
